The studio is designed to disappear into its leafy setting, using the Japanese technique of shou sugi ban—charred timber—for the hardwood cladding. This technique adds textural interest while also helping the building recede into the garden, making it appear smaller and more integrated with the environment. We also drew on its lesser-known properties such as self-protection and vermin resistance achieved through the charring process.

Just like a jewellery box, the studio is filled with surprises and intricate details. Fine timber detailing and sliding doors that open wide invite the landscape inside, allowing for connection between the studio and its surroundings. The result is a simple, meditative space that is completely immersed in the garden – the perfect place for deep creative work.